Halloween: When The Dead Rise...

BACK IN ACTION
Rising from the grave, it's Cannibal Cheerleader, here to award the faithful and punish the nonbelievers! But seriously folks I'm back and ready to report. Grad school apps still stretch to the horizon but I miss my little corner of the internet to stay away any longer.

A few changes:
1. No more quick bites! If I only have one thing to post in a day (or just not enough time to flesh out a post) that's just all you get people! Having too much of a workload drove me away in the first place, so try and keep me around this time - it's supposed to be fun!
2. More original content! More videos, more new band cheers, more interviews, and less linking to Stereogum and Pitchfork.
3. Stop emailing me record labels! I appreciate your concern, but I usually just report on things I like, not the next big indie thing you're trying to sell me. Take me off your list if I'm on there, I don't want to read it! And no, the (insert indie band here) do not sound like the new Beatles.

ON WITH THE HORROWSHOW!!!
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CAT POWER IN AUSTIN
Over the break the much-awaited do-over show by Cannibal Cheerleader favorite Cat Power finally landed in Austin and to those who missed it, you definitely skipped out on what may go down as the best live music performance in the capital city all year! No exaggerations here, Chan Marshall and her Dirty Delta Blues Band tore up the stage with soulful ballads of wounded hearts and dusty roads, a perfect mixture of rhythm and blues, country, and good old fashioned indie rock and roll.
The setlist concentrated chiefly on tracks from this year's criminally underrated Jukebox and the seminal The Greatest, though the brilliant opener, which really set the tone for the whole night, was a woeful and charismatic take on "I Don't Blame You" from You Are Free. Marshall flitted across the stage with a sexy confidence that kept the crowd screaming even during slow, quiet renditions of tracks like "The Moon" and "Silver Stallion". Her performance, once notoriously unsure and nervous now exudes a quiet confidence not unlike the downtrodden characters of her cover songs; they've both managed to see it all, reach the bottom, and come back out on the other side, tired and hurt and all the better for it.
The backing band was excellent as well, with guitarist Teenie Hodges, who performed the intricate guitarwork on the Greatest, joining the group mid-set. Their playing was not-unlike a smokey-bar jam band, twisting in out and out of each song, mixing and changing things up as they went along. By the end of the night Marshall and crew had captured the hearts of every man and woman in attendance at Stubb's that night. During "Angelitos Negros" she threw a bouqet of flowers in the crowd, as if spreading her new found happiness over everyone. Truly an unforgettable show and deserving of all its praise. Dust off those old Cat Power LPs if you've got them, it's time to rediscover one of the best artists of our time. More pictures below:
Cat Power - "Metal Heart"
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ACL REVIEW
Due to extenuating circumstances I was only able to attend one day of this year's ACL Festival, but it was a doozy! As usual, ACL was overcrowded, too dusty, miserable at times, and fantastic at others. I'm always iffy at the end of each fest if I'll be back next year, and then inevitably, I'm there again.

This year's highlights begin with Vampire Weekend, who have of course been getting a lot of blog backlash since they hit the big time with their self-titled debut. However, the Oxford crew seriously tore up the stage during their early afternoon set on Friday, debuting a few new songs and keeping the crowd dancing with the classics. Overall, I think even I underestimated the enjoyability of these tracks live, as I found myself twisting to "A-Punk" alongside hundreds of others. Definitely a treat.
Next was Jenny Lewis (whose new album Acid Tongue is brilliant by the way) whom we were able to capture only from far away. While the pictures aren't so good and the stage not really suitable for her new, big band sound, it's probably impossible for this fiery frontwoman to flop, as she belted out classics like "Rise Up With Fists" and ripped through new barn-burners like "The Next Messiah" and "Jack Killed Mom". Whether she was striking the keys behind her piano or strumming riffs on the guitar, Lewis was in fine form in front of a loving crowd. Definitely worth the price of admission.
Lastly, there was the Mars Volta, who my friend insisted was the greatest band of all time. Perhaps loudest or most confusing might have been a better title, as the band blasted through most of the tracks from their newest LP the Bedlam in Goliath, with such abandon that it might have seemed like they didn't care about the crowd at all. I'm not totally convince they did ever give a shit at any point but when the Volta are on they're great, and when they fall into weird, prog, static territory they're basically unlistenable. Overall, the show fell comfortably in the middle, leaving the crowd not satisfied or unsatisfied and instead mostly confused. Oh well.

See you next year ACL, if I'm still dumb enough to buy a ticket next year!

Jenny Lewis - "Acid Tongue"
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NEW BAND CHEER: BEYOND GODS & EMPIRES
The Austin metal scene, like most hard rock scenes in the South, is criminally underrated, and the fact that locals Beyond Gods & Empires aren't opening for Pig Destroyer yet is a testament to that fact. This crushing four-piece combines a dual-vocal attack a-la the Red Chord with a doom-metal instrumental approach that's equal parts High on Fire and Converge. Songs stretch to the dark horizon but the brutal assault continues throughout. Definitely a band to keep on your radar. Don't believe me? Check out this Cannibal Cheerleader video below and see for yourself! Check the band out at their Myspace.

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NEW BAND CHEER: LUCKY SOUL
Sifting through the CMJ overload that occurred in the past few weeks, I came upon this real gem of a band whose first string of US shows garnered them a lot of much deserved praise. Lucky Soul hail from Londontown but their sound is all New York-girl-group, with bouncy melodies crackling behind moody tales of heartbreak as sung by the smoky-voiced Ali Howard. Equal parts delicately poppy and brashly rock and roll, the music plays without a wink of irony, no great nod to the past, and sounds all the more genuine because of it. The group's debut The Great Unwanted was well-received in their home country and the group is now working on teh followup. You can bet we'll be first on the list to hear any new tracks!

Lucky Soul - "The Great Unwanted"

Comments? Anyone glad we're back?